List journal issues    
 
 
Home List journal issues Table of contents Subscribe to JEGP

Article

Volume 104 • Number 4

October 2005



 

 

Afloat in Semantic Space: Old English sund and the Nature of Beowulf's Exploit with Breca

R. D. Fulk, Indiana University

According to the Sapir-Whorf hypothesis of linguistic relativity,

Human beings . . . are very much at the mercy of the particular language which has become the medium of expression for their society. . . . The "real
world" is to a large extent unconsciously built up on the language habits of the group.
Since linguists, historically, have tended not to lend much credence to the hypothesis, it is somewhat ironic that, as a structuralist artifact, it remains, in a form even more extreme than this, a fundamental premise of much poststructuralist literary thought. Stephen Pinker, the most familiar popularizer of Chomskyan Universal Grammar, turns a particularly withering eye on the hypothesis, along with its possibly racist implications. And yet, although he may be at first unwilling to grant language any power at all to shape thought, and ultimately, when pressed, to allow it only the most superficial sort of influence, despite Pinker's empirically based objections it seems necessary to concede some degree of relativity to language. The sort of euphemism that conceals ugly political facts and inhuman acts, as observed long ago by George Orwell, would have no point if language
had no power to mold perception. In a not entirely unrelated way (to employ one of Orwell's phraseological bugbears), elegant rhetoric often masks cloudy reasoning.


view PDF
 

 

 

 
Home | Issue Index
 
© 2007 by the Board of Trustees of the University of Illinois
Content in the Journal of English and Germanic Philology is intended for personal, noncommercial use only. You may not reproduce, publish, distribute, transmit, participate in the transfer or sale of, modify, create derivative works from, display, or in any way exploit the Journal of English and Germanic Philology database in whole or in part without the written permission of the copyright holder.